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	<title>Comments on: The Art of the Sentence: Edward Gauvin</title>
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	<link>http://www.tinhouse.com/blog/11296/the-art-of-the-sentence-edward-gauvin.html</link>
	<description>Home of the magazine, the books, and the conference</description>
	<lastBuildDate>Fri, 24 May 2013 16:21:49 +0000</lastBuildDate>
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		<title>By: Robert M. Detman</title>
		<link>http://www.tinhouse.com/blog/11296/the-art-of-the-sentence-edward-gauvin.html#comment-5436</link>
		<dc:creator>Robert M. Detman</dc:creator>
		<pubDate>Thu, 08 Dec 2011 21:43:02 +0000</pubDate>
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		<description>You might also be interested in the piece on my website (see url above) re: &quot;Salter&#039;s Aesthetic Economy&quot;</description>
		<content:encoded><![CDATA[<p>You might also be interested in the piece on my website (see url above) re: &#8220;Salter&#8217;s Aesthetic Economy&#8221;</p>
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		<title>By: Paul Willems in Tin House 50</title>
		<link>http://www.tinhouse.com/blog/11296/the-art-of-the-sentence-edward-gauvin.html#comment-5248</link>
		<dc:creator>Paul Willems in Tin House 50</dc:creator>
		<pubDate>Wed, 07 Dec 2011 05:47:05 +0000</pubDate>
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		<description>[...] also weigh in on at the Tin House blog on a sentence from James Salter&#8217;s &#8220;Dusk&#8221; in their Art of the Sentence series. Like Salter, Willems applies a spare style to hint at deep and [...]</description>
		<content:encoded><![CDATA[<p>[...] also weigh in on at the Tin House blog on a sentence from James Salter&#8217;s &#8220;Dusk&#8221; in their Art of the Sentence series. Like Salter, Willems applies a spare style to hint at deep and [...]</p>
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