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Scott_Bourne_tinhouse

 

Show, Don’t Tell

Most of us are familiar with the old creative writing maxim, Show, don’t tell. If you have taken any college courses in creative writing, this advice is something your instructors have probably tried to impress upon you in those few minutes toward the beginning of class before their hangovers get the better of them and they start sleeping beneath their desks. For those not familiar with this particular piece of wisdom, it has to do with the belief that it is preferable to show a narrative’s action to a reader through descriptive language as opposed to flatly telling the reader that action is taking place. This is incredibly valuable advice. After all, without it any book could just be replaced by its jacket copy.

As a boy I attended Henry Fielding Elementary, a special school for gifted fiction writers, and so this element of craft was instilled in me from a very early age. While Show and Tell is a typical activity for most classrooms, my classmates and I were only permitted to show. We would stand at the front of the room, holding up objects of personal significance and staring blankly out at our classmates. If any student ever tried to tell the class what the object was or why it was significant, he or she would have to spend recess locked in an old trunk.

Figure 1: Class trip to Hershey, Pennsylvania

But for those of you who were not lucky enough to attend a special elementary school for preternatural fiction geniuses, I understand that this strong emphasis on showing might not be as firmly ingrained in your psyche. It is likely that you do not even keep a leather strop near your writing desk so that you can whip yourself with it whenever you find that you have inadvertently written a dreaded “telling” sentence. That is why below I have composed some sentences intended to demonstrate to you once and for all the obvious superiority of showing over telling.

Bad: Spiderman was angry.

Good: Spiderman raised his katana sword over his head and let out a blood-curdling howl.

Bad: The garbage truck was smelly.

Good: The garbage truck was filled with festering poop, and in the July heat the semi-opaque stench waves turned into a giant fist that began to punch birds out of the air.

Bad: France shares a border with Spain. 

Good: Like lovers sharing a farewell kiss on a railway platform during wartime, France and Spain touch lightly and then are separated.

Bad: “I’m leaving you,” she said.

Good: “I’m leaving you,” she pushed air through her trembling larynx, producing vibrations that were softly contorted by her lips, tongue, and teeth so that these words were inevitably what was heard.

Figure 2: Standard Composition Strop

From those examples alone it is clear not only that showing is always necessary and appropriate, but that telling is always hellish and shitty. Granted, there are many people who might argue that telling is just as valuable as showing and that the very best writing is actually comprised of these two elements playing off of each other. These people might even argue that there is no maxim or oversimplification of craft that can compete with your own private sense of what aspects of your writing are the most honest, urgent, and beautiful. However, it is important to remember that the people who would put forward such a point of view are all mentally ill. Creative writing is not about expressing your unique personhood; it’s about learning secret craft rules that will help you to purify your work of imperfections. Any suggestions to the contrary are most likely just the uninformed ramblings of all those unfortunate souls who failed to spend their formative years locked safely in an old trunk.

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Posted in Das Kolumne

Comments: 13

(12) Comments

  1. I generally learn something when i stop by here, Eric. Many thanks!

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  8. anon says:

    Ha! I love this piece. Henry Fielding Elementary taught you well ;)

  9. Anonymous says:

    “pushed air through her trembling larynx” award winning stuff right there ;)

  10. Anon says:

    It should be pointed out that virtually every sentence in this post was telling. And, as everyone knows, telling is always hellish and shitty.

  11. Anonymous says:

    And when I said “dud”, I meant the acronym which is: Deliciously Unbeatable Descriptions. Which of course is an odd praise I give to writers who I feel have a very unique and wonderful gift. The “sorry guys!” part was me saying sorry for putting such a strange acronym without explaining its meaning.

  12. Anonymous says:

    Love your blog but this one was a dud. Sorry guys!

(1) Trackbacks & Pingbacks

  1. [...] So I get to the end and again, I am left wondering, how does this relate to writing? And here, other than using precise language (of course) I am not sure! Maybe it is similar to something I once read – instead of interpreting, describe: do not say “I was angry when he did that” but how the stomach churned and the fists clenched and the voice rose (my hero Seth Fried just had a funny essay about Show, Don’t Tell for his Tin House Blog Das Kolumne). [...]

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