- Art of the Sentence
- Book Clubbing
- Book Tour Confidential
- Broadside Thirty
- Carte du Jour
- Correspondent's Course
- Das Kolumne
- Flash Fidelity
- Flash Fridays
- Free Verse
- From The Vault
- I'm a Fan
- Lost & Found
- Tin House Books
- Writer's Workshop
Tweets by @Tin_House
Sign Up for News, Sales
News & Events
John Benditt in conversation with Nancy Pearl - University Bookstore Wednesday, February 25th, 7:00pm
Tin House Reels: Sophie Koko Gate
This week, Tin House Reels is excited to feature the work of Sophie Koko Gate, whose films have a unique erotic tension and the good timing of dark comedy.
Gate often uses real spoken conversations to drop her characters into a world of the hyper-real, noting that translating real-life conversations into animated video involves a sympathy that lives inside the body: “When a character is talking on screen, I find it almost impossible to animate them without acting the motions out myself,” Gate said. “In a way, animation can be a variant of live action. You control the ‘actors’ by the smallest of movements: an eye twitch or a slow pupil can make all the difference to the personality of a character, and give the dialogue more depth and meaning.”
Her characters, often naked and sketched with a raw edge reminiscent of Ralph Steadman, feel exposed in both mind and body. “The handmade aesthetic is naturally appealing to people and can cover up bad animation or error. I’m interested in bridging the gap between short animated films, which often tend to be made for the eyes of like minded people, and animated sitcoms, which cater for the masses but with less artistic integrity. I aim to build a set of characters and slowly release short films like Marcy’s Tenderloin that will introduce relationships and develop pre-existing plots.”
Alongside Marcy’s Tenderloin, we are featuring Gate’s shorter film Lip Sync, a prime example of her sense of the hyper-real.
Sophie Koko Gate graduated in Graphic Design from Central St Martins in 2011 and is currently studying Animation at the Royal College of Art. She worked at Blacklist in New York and now freelances and lives in London.
Tin House Reels is a weekly feature on The Open Bar dedicated to the craft of short filmmaking. Curated by Ilana Simons, the series features videos by artists who are forming interesting new relationships between images and words.
We are now accepting submissions for Tin House Reels. Please upload your videos of 15 minutes or less to Youtube or Vimeo and send a link of your work to email@example.com. You may also send us a file directly.