Tin House

Events

Reading: Karen Shepard author of The Celestials

Thursday, June 6, 7:00pm

MassMoCa 
87 Marshall St
North Adams, MA 01247

In June of 1870, seventy-five Chinese laborers arrived in North Adams, Massachusetts, to work for Calvin Sampson, one of the biggest industrialists in that busy factory town. Except for the foreman, the Chinese didn’t speak English. They didn’t know they were strikebreakers. The eldest of them was twenty-two.

Combining historical and fictional elements, The Celestials beautifully reimagines the story of Sampson’s “Chinese experiment” and the effect of the newcomers’ threatening and exotic presence on the New England locals. When Sampson’s wife, Julia, gives birth to a mixed-race baby, the infant becomes a lightning rod for the novel’s conflicts concerning identity, alienation, and exile.


Reading: Karen Shepard author of The Celestials

Tuesday, June 11, 7:00pm

Odyssey
9 College St
South Hadley, MA 01075

 

In June of 1870, seventy-five Chinese laborers arrived in North Adams, Massachusetts, to work for Calvin Sampson, one of the biggest industrialists in that busy factory town. Except for the foreman, the Chinese didn’t speak English. They didn’t know they were strikebreakers. The eldest of them was twenty-two.

Combining historical and fictional elements, The Celestials beautifully reimagines the story of Sampson’s “Chinese experiment” and the effect of the newcomers’ threatening and exotic presence on the New England locals. When Sampson’s wife, Julia, gives birth to a mixed-race baby, the infant becomes a lightning rod for the novel’s conflicts concerning identity, alienation, and exile.


Reading: Karen Shepard author of The Celestials

Thursday, June 13, 7:00pm

Newtonville
10 Langley Road
Newton Centre
Newton, MA 02459

 

In June of 1870, seventy-five Chinese laborers arrived in North Adams, Massachusetts, to work for Calvin Sampson, one of the biggest industrialists in that busy factory town. Except for the foreman, the Chinese didn’t speak English. They didn’t know they were strikebreakers. The eldest of them was twenty-two.

Combining historical and fictional elements, The Celestials beautifully reimagines the story of Sampson’s “Chinese experiment” and the effect of the newcomers’ threatening and exotic presence on the New England locals. When Sampson’s wife, Julia, gives birth to a mixed-race baby, the infant becomes a lightning rod for the novel’s conflicts concerning identity, alienation, and exile.


Karen Shepard with Karen Russell at McNally Jackson

Monday, June 17, 7:00pm

McNally Jackson
52 Prince St
New York, NY 10012

Karen Shepard is a Chinese-American born and raised in New York City. She is the author of three novels, An Empire of WomenThe Bad Boy’s Wife, and Don’t I Know You? Her short fiction has been published in the Atlantic MonthlyTin House, and Ploughshares, and her nonfiction has appeared in More, Self, USA Today, and the Boston Globe. She teaches writing and literature at Williams College in Williamstown, Massachusetts, where she lives.

Karen Russell is an American novelist. Her debut novel, Swamplandia!, was a finalist for the 2012 Pulitzer Prize for Fiction. A new collection of short stories by Russell, Vampires in the Lemon Grove, was published in February 2013.



Reading: Karen Shepard author of The Celestials

Monday, June 24, 7:00pm

Greenlight June 24 @ 7:30
686 Fulton St
Brooklyn, NY 11217

 

In June of 1870, seventy-five Chinese laborers arrived in North Adams, Massachusetts, to work for Calvin Sampson, one of the biggest industrialists in that busy factory town. Except for the foreman, the Chinese didn’t speak English. They didn’t know they were strikebreakers. The eldest of them was twenty-two.

Combining historical and fictional elements, The Celestials beautifully reimagines the story of Sampson’s “Chinese experiment” and the effect of the newcomers’ threatening and exotic presence on the New England locals. When Sampson’s wife, Julia, gives birth to a mixed-race baby, the infant becomes a lightning rod for the novel’s conflicts concerning identity, alienation, and exile.

 


Karen Shepard with Elizabeth Graver at Partners Village

Friday, July 5, 7:00pm

Partners Village
865 Main Rd
Westport, MA 02790

Karen Shepard is a Chinese-American born and raised in New York City. She is the author of three novels, An Empire of WomenThe Bad Boy’s Wife, and Don’t I Know You? Her short fiction has been published in the Atlantic MonthlyTin House, and Ploughshares, and her nonfiction has appeared in More, Self, USA Today, and the Boston Globe. She teaches writing and literature at Williams College in Williamstown, Massachusetts, where she lives.

Elizabeth Graver’s new novel is The End of the Point.She is the author of three other novels: AwakeThe Honey Thief, andUnravelling. Her short story collection, Have You Seen Me?, won the 1991 Drue Heinz Literature Prize. Her work has been anthologized in Best American Short Stories (1991, 2001); Prize Stories: The O. HenryAwards (1994, 1996, 2001),The Pushcart Prize Anthology (2001), and Best American Essays (1998). Her story“The Mourning Door” received the Cohen Award fromPloughshares Magazine. The mother of two daughters, she teaches English and Creative Writing at Boston College.


Jodi Angel, author of YOU ONLY GET LETTERS FROM JAIL reading at Time Tested

Wednesday, July 8, 7:00pm

Time Tested
1114 21st Street
Sacramento, CA 95811

You Only Get Letters from Jail

“Jodi Angel writes like an angel—in the full sense of the designation–which is to say someone fallen out of the armpit of a restless deity—sharp-eyed, ruthless,and tender at the same time. I’d walk a long way to hear her read these stories, and plan to buy a half dozen copies just so I can give them away saying, ‘Look at this. You have never before read anything like this.’”

—Dorothy Allison

Jodi Angel’s second story collection, You Only Get Letters from Jail, chronicles the lives of young men trapped in the liminal space between adolescence and adulthood. From picking up women at a bar hours after mom’s overdose to coveting a drowned girl to catching rattlesnakes with gasoline, Angel’s characters are motivated by muscle cars, manipulative women, and the hope of escape from circumstances that force them either to grow up or give up. Haunted by unfulfilled dreams and disappointments, and often acting out of mixed intentions and questionable motives, these boys turned young men are nevertheless portrayed with depth, tenderness, and humanity. Angel’s gritty and heartbreaking prose leaves readers empathizing with people they wouldn’t ordinarily trust or believe in.


Jodi Angel, author of YOU ONLY GET LETTERS FROM JAIL reading at Eugene Public Library

Thursday, July 11, 6:00pm

Eugene Public Library 
100 W 10th Ave
Eugene, OR 97401

“Jodi Angel writes like an angel—in the full sense of the designation–which is to say someone fallen out of the armpit of a restless deity—sharp-eyed, ruthless,and tender at the same time. I’d walk a long way to hear her read these stories, and plan to buy a half dozen copies just so I can give them away saying, ‘Look at this. You have never before read anything like this.’”

—Dorothy Allison

Jodi Angel’s second story collection, You Only Get Letters from Jail, chronicles the lives of young men trapped in the liminal space between adolescence and adulthood. From picking up women at a bar hours after mom’s overdose to coveting a drowned girl to catching rattlesnakes with gasoline, Angel’s characters are motivated by muscle cars, manipulative women, and the hope of escape from circumstances that force them either to grow up or give up. Haunted by unfulfilled dreams and disappointments, and often acting out of mixed intentions and questionable motives, these boys turned young men are nevertheless portrayed with depth, tenderness, and humanity. Angel’s gritty and heartbreaking prose leaves readers empathizing with people they wouldn’t ordinarily trust or believe in.


Jodi Angel, author of YOU ONLY GET LETTERS FROM JAIL reading at Elliott Bay Book Company

Wednesday, July 17, 7:00pm

Elliott Bay Book Company
1521 10th Ave  Seattle, WA 98122

 

You Only Get Letters from Jail

“Jodi Angel writes like an angel—in the full sense of the designation–which is to say someone fallen out of the armpit of a restless deity—sharp-eyed, ruthless,and tender at the same time. I’d walk a long way to hear her read these stories, and plan to buy a half dozen copies just so I can give them away saying, ‘Look at this. You have never before read anything like this.’”

—Dorothy Allison

Jodi Angel’s second story collection, You Only Get Letters from Jail, chronicles the lives of young men trapped in the liminal space between adolescence and adulthood. From picking up women at a bar hours after mom’s overdose to coveting a drowned girl to catching rattlesnakes with gasoline, Angel’s characters are motivated by muscle cars, manipulative women, and the hope of escape from circumstances that force them either to grow up or give up. Haunted by unfulfilled dreams and disappointments, and often acting out of mixed intentions and questionable motives, these boys turned young men are nevertheless portrayed with depth, tenderness, and humanity. Angel’s gritty and heartbreaking prose leaves readers empathizing with people they wouldn’t ordinarily trust or believe in.


A Reading with Jodi Angel, Jennine Capo Crucet, and Peter Mountford

Thursday, July 18, 7:00pm

Richard Hugo House
1634 11th Ave  Seattle, WA 98122

Three young writers you should know, Jodi Angel, Jennine Capo Crucet, and Peter Mountford, each read from short stories and essays about the seedier parts of life that will make you laugh, cringe, and be thankful you aren’t one of their characters.

The reading is free. The bar will be open, and books are for sale.

About the Authors

Jodi Angel is the author of the short story collections “You Only Get Letters from Jail” and “The History of Vegas,” which was named as a San Francisco Chronicle “Best Book of 2005″ as well as a LA Times Book Review “Discovery.” Her work has appeared in Tin House, Zoetrope: All-Story, and the Sycamore Review, among other publications and anthologies. Her stories have received several Pushcart Prize nominations and she was selected for Special Mention in 2007. Most recently Jodi’s story, “A Good Deuce,” was noted as a “Distinguished Story” in The Best American Stories 2012. She grew up in a small town in Northern California–in a family of girls.

Jennine Capó Crucet’s first book, “How to Leave Hialeah,” won the Iowa Short Fiction Award, the John Gardner Book Prize, the Devil’s Kitchen Award in Prose, and was named a Best Book of the Year by The Miami Herald, the New Times, and the Latinidad List. She’s published stories in the O. Henry Prize Anthology (2011), Ploughshares, Virginia Quarterly Review, Guernica, The Rumpus, and other magazines. A former sketch comedienne and NPR scriptwriter, she’s the fiction editor of PEN Center USA’s Handbook for Writers and a faculty member of Florida State University’s Creative Writing Program.

Peter Mountford’s debut novel, “A Young Man’s Guide to Late Capitalism” (Houghton Mifflin Harcourt), won the 2012 Washington State Book Award and was a finalist in the 2012 VCU Cabell First Novelist Prize. His second novel, “The Dismal Science,” will be published in early 2014 by Tin House Books. For his work on The Dismal Science, he was awarded a 4Culture Grant, a grant from the city of Seattle, and the Corporation of Yaddo’s Wallace Fellowship for a Distinguished Writer. Since graduating from the University of Washington’s MFA program in 2006, Peter’s short fiction and essays have appeared in The Atlantic, Best New American Voices 2008, Conjunctions, Salon, Granta, ZYZZYVA, and Boston Review, where he won second place in the 2007 contest judged by George Saunders. He’s currently a writer-in-residence at Hugo House and at Seattle Arts and Lectures.


Jodi Angel, author of You Only Get Letters from Jail and Matthew Spektor, author of Amerian Dream Machine reading at Powell's Books

Monday, July 22, 7:00pm

Powell’s Books
1005 W Burnside St
Portland, OR 97209

“Jodi Angel writes like an angel—in the full sense of the designation–which is to say someone fallen out of the armpit of a restless deity—sharp-eyed, ruthless,and tender at the same time. I’d walk a long way to hear her read these stories, and plan to buy a half dozen copies just so I can give them away saying, ‘Look at this. You have never before read anything like this.’”
—Dorothy Allison

“American Dream Machine may be first literature I’ve read in which Los Angeles is assumed as London is assumed by Dickens and Paris by Proust and New York by a host of twentieth century American writers. There is nothing ironic, ambivalent, or apologetic about Specktor’s relationship to Los Angeles—as it is and was, as myth and as a thriving capitol city. Los Angeles provides an animate pulse under the lives of these men and boys, a source of permanence that lends their struggles gravity.” —Mona Simpson, My Hollywood

American Dream Machine


Matthew Specktor, author of American Dream Machine reading at Powell’s Books

Monday, July 22, 7:00pm

Powell’s Books
1005 W Burnside St
Portland, OR

“With coolness and precision, Specktor comes across as a West Coast Saul Bellow in this sweeping narrative, but his energetic, pop-infused prose is markedly his own.”—Booklist


Matthew Specktor, author of American Dream Machine reading at Elliott Bay Book Company

Tuesday, July 23, 7:00pm

Elliott Bay Book Company
1521 10th Ave  Seattle, WA 98122

“With coolness and precision, Specktor comes across as a West Coast Saul Bellow in this sweeping narrative, but his energetic, pop-infused prose is markedly his own.”—Booklist