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Bryan Hurt on the Life of a Writer: Investment Banking, What Imaginary People Feel, and How Not to Teach Creative Writing
Bryan Hurt’s Everyone Wants to Be Ambassador to France was the winner of the 2015 Starcherone Prize for Innovative Fiction and published last fall. If you’ve read any of the stories in The Kenyon Review, The American Reader, Guernica, Tin House, or the New England Review (to name a few places), then you know it. […]
How Do You Live In A World That’s Not The World You Thought It Was?: An Interview with Brian Evenson
Brian Evenson’s first book, Altmann’s Tongue, was unsettling enough to some members of the Church of Jesus Christ of Latter Day Saints that its publication set into a motion a chain of reactions that led to Evenson’s departure from his professorship at Brigham Young University, and, eventually, from membership in the church altogether. (Readers interested […]
I met Tony Tulathimutte over drinks one afternoon. We’d followed each other on Twitter and, on a rare social impulse, I thought I’d chance getting to know him better. Online, he was funny and incisive in his commentary. In person though, I wasn’t sure what to expect. To my delight, we spent our time surprisingly […]
Meg Storey: The Sleep Garden takes place mostly within an apartment complex called “The Burrow,” but a few characters do not exist in this space. Why did you choose to extend the story beyond the Burrow? Jim Krusoe: The Sleep Garden is a combination of two elements. At first, all I wanted to do was to find […]
Welcome to Tin House’s Bookseller Spotlight, a series of interviews with indie booksellers across the country. Up this week is Shawn Donley with Powell’s Books . Tin House Books: What was the first book you read that made you fall in love with reading? Shawn Donley: I grew up in a small town in Pennsylvania and like many small […]
The taxidermist will mold, skin, gut, preserve, reassemble, and mount a creature, usually with the goal of making it look the way it did when it was alive. The final product can serve a variety of purposes—amusement, utility, education, and in terms of taxidermied pets, nostalgia: it helps preserve emotional connection. Carey McHugh manages the […]
The work of Wayne Koestenbaum has always been, for me, essential and cataract-removing. It consistently forces me into spaces of thought which feel simultaneously disorienting and familiar, collected and chaotic, and it’s the process of tunneling through those spaces that Wayne brings me to as a reader that I find so rewarding. He does not […]
It’s an animal of tremendous intelligence and versatility that’s constrained within the inarticulate joy and rage of its water-lockedness and its lack of opposable digits.
Although many people see “sci-fi” and “Southern Gothic” as incompatible genres, combining the two seems natural to me because the contemporary South exists in the same technology-mediated world as other parts of the US, a world in which the internet inundates the mind with diverse forms of information and where the boundaries between science and sci-fi are often blurry.
A book that I hand sell a lot is “The Boys of My Youth” by Jo Ann Beard. That book stops my heart. I have to pound my chest to get it going again.
You’ve got a large part of your brain acting as a lethally efficient negation factory, and you’ve got intuitions and impulses making their first shy appearance, and the problem is how to keep these alive long enough to discover what they can turn into.
As we continue to take applications for our upcoming fiction and nonfiction coastal workshops, we decided to check in with a few of our winter captains to get their perspective on the workshop experience. On the deck, our own Lacy M. Johnson, who will be teaching during Session Two. Tin House: What can you tell […]
As we continue to take applications for our upcoming fiction and nonfiction coastal workshops, we decided to check in with a few of our winter captains to get their perspective on the workshop experience. First at the helm, Portland’s finest, Mitchell S. Jackson, who will be teaching during Session One. Tin House: What can you […]
Ed. Note- As the NBA season kicks off this evening, we decided to ask two of our favorite literary hoopers to drop a few dimes for us. As they are prone to do, Shann and Jess sprinkled the court with beautiful jumpers that covered a wide range of topics including faith in writing, Shann’s new […]
Author Julia Elliott talks about dystopian satires, Southern gothic tall tales, brain enhancements, and fear-hog hunting in this Q&A with her editor.
In Vanessa Blakeslee’s debut novel, Juventud, lost love and family secrets are set against the backdrop of sociopolitical upheaval. The story follows Mercedes Martinez from the dangerous activist meetings of her youth to her search for connection in a world haunted by the conflicts of her past. I recently spoke with Blakeslee about the drug […]
I had the fortune of meeting Matthew Neill Null at the Jentel Foundation’s residency a couple autumns ago. Looking back, it’s a delight to realize that I was watching him go into his cabin to churn out the pages that would be become this fantastic novel, Honey from the Lion. We couldn’t lure him to […]
They are still touchstones for many women I meet; secret decoder rings of the bookish of a certain age.
Dryland launches today!
Recently, I found out just what that secret was: Calvert grew up with hoarder parents in an abandoned schoolhouse in super-rural Colorado, without plumbing or consistent electricity.
It’s a dangerous thing to play with, a story, when you put personal material in there, because you might not like the answer.
Bob Dylan said hearing Elvis Presley for the first time was like breaking out of jail. Walking into Sue Shapiro’s New School class was a little like that. She was passionate, effusive, and within minutes had extracted dark embarrassing moments from my past for her infamous first assignment: write about your most humiliating secret. I felt lucky to […]
Debut novelist Jennifer Pashley talks about serial killers, Tori Amos, and listening in this Q&A with her editor.
The Human Heart in Conflict with a Terrifying Mutated Version of Itself: An Interview with Lincoln Michel
Writers who came to mind while reading stories in Lincoln Michel’s debut collection Upright Beasts included Kit Reed (“Our Education”) and William Gay (“Little Girls by the Side of the Pool”) and Franz Kafka’s “Letter to His Father” (too many to neatly fit between these parentheses). That said, there are literary and extraliterary sensibilities here […]
A straight memoir relies on a story, on what happened. You can apply Freytag’s Triangle to its narrative — the exposition/rising action/climax/resolution we all learned in school. A memoir-in-essays relies on the gaps in the story.