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Monsters
     Spring—Summer 2000, Vol. 1 No. 4

Issue 4



FICTION
Ron CarlsonEVIL EYE ALLEN
This was a person who did not dance in front of people, a girl who had never really behaved in such a way. She had never been among us.

Aleksandar HemonACCORDION
Maybe that man never played that key; maybe he'll never play that note in his entire life.

Katherine ShonkMY MOTHER'S GARDEN
The reactor is off in the distance, towering over the town... From here it all looks normal.

Tara IsonBALL
I know that the success of sex depends on contrivance, in holding yourself back. It's the tease, not the strip.

Lauren Milne HendersonDRAINING THE SNAKE
It wasn't a horsepipe. It was a penis.

Ben MarcusTHE FAINTING PROJECT
By not fainting, we surrender our identities to the mundane chaos of time.

NEW VOICES
Poetry: Benjamin GantcherPOEM

Poetry: Christine BauchAUGUST, 1981 AX

Fiction: David SchicklerJACOB'S BATH
Amidst all this wonder was Jacob Wolf, twenty-eight, newly married and utterly dismayed.

POETRY
Kelly Le FaveHEAT OF DAY THE FIRE IS A GORGEOUS SURPLUS THE DRIVE-IN

Derek WalcottTHREE SELECTIONS FROM TIEPOLO'S HOUND

Liz RosenbergTHE MAIDEN AND THE UNICORN THE BREAKUP

Charlie SmithLATE RETURN TO MIAMI

INTERVIEWS/PROFILES
STÉPHANE MALLARMÉ ON EDGAR ALLEN POE
"L'Après Midi d'un Faune" may be incomprehensible, but not the Master's portrait of the American writer who helped inspire the French Symbolist movement in poetry.

ROB SPILLMAN AND SHERMAN ALEXIE
Urban cowboys and Indians.

PILGRIMAGES
Andrej BlatnikMICKEY MOUSE TRAVELS EAST
A young Slovenian writer watches East and West cultures blend on a trek through Eastern Europe.

Stéphane MallarméECHOES OF THE SALONS AND BEACHES
"L'Après Midi d'un Faune" may be incomprehensible, but not the Master's reflections on leaving Paris to the tourists and, from chairs along a western beach, smiling at the sea.

FEATURES
Stéphane MallarméTHE PIPE
"L'Après Midi d'un Faune" may be... okay, okay, how about the Master's amazing description of his favorite pipe?

Rick MoodyDESTROY ALL MONSTERS; An Ecstatic Haiku Sequence
A Godzilla fan
Celebrates monster movies.
He eats Jujyfruits.


Daniel HalpernCOFFEE & ORANGES
The author recalls his early encounters with poetry, experiencing anew the sensuality and flavors of the poem that first sparked his burgeoning imagination, Wallace Stevens' "Sunday Morning."

EPISTLE
Stéphane MallarméLETTER TO JAMES ABBOTT MCNEILL WHISTLER
The frequently incomprehensible Master's letter to the great nineteenth-century American painter.

Stéphane MallarméRECOMMENDATION ABOUT MY PAPERS

LOST & FOUND
William Boyd on Her Privates We by Frederic Manning.
A stunning World War One novel, first published in 1929 and championed by Ernest Hemingway, Ezra Pound and TS Eliot, is told from the perspective of an ordinary private.

Rachel Resnick on Stacey Levine's My Horse and Other Stories.
A 1993 short story collection by a writer who has been justly compared with the best of Flannery O'Conner and Jane Bowles.

Anderson Tepper on Near to the Wild Heart, by Brazilian author Clarice Lispector.
Written in 1944 when the author was nineteen, this intimate story penetrates the many-layered life of Joana, from her childhood in middle-class Rio to the collapse of her marriage and beyond.

Susan Choi on Edward Newhouse's Many Are Called.
A 1951 collection of forty-two gritty and calamitous stories penned by a colorful pro from the old "New Yorker" days.

A READABLE FEAST
Stéphane MallarméPOÉSIE DE LA CUISINE (Poetry of the Kitchen)
The Master's simple, to-the-point "Mulligatawny" and "A New Year's Eve Menu."

BLITHE SPIRITS
Elissa SchappellODE TO A MARTINI
Juniper berries have never tasted so good.

THE LAST WORD
Paul WestWEIRD

PORTFOLIO
Laudanum, by Tracey Moffatt

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