Steve Almond spent seven years as a newspaper reporter in Texas and Florida before writing his first book, the story collection My Life in Heavy Metal. His non-fiction book, Candyfreak, was a New York Times Bestseller. His short fiction has been included in The Best American Short Stories and Pushcart Prize anthologies, and his most recent collection, God Bless America, won the Paterson Prize for Fiction.
Faculty // 2010
Robert Boswell has published seven novels, three story collections, and two books of nonfiction. His work has earned him two National Endowment for the Arts Fellowships, a Guggenheim Fellowship, and the PEN West Award for Fiction. He shares the Cullen Endowed Chair in Creative Writing at the University of Houston with his wife, Antonya Nelson. His latest novel, Tumbledown, was published by Graywolf.
Charles D’Ambrosio is the author of two collections of short stories, The Point and The Dead Fish Museum, which was a finalist for the PEN/Faulkner Award, and the essay collections Orphans and Loitering. He teaches fiction at the Iowa Writers’ Workshop.
Anthony Doerr was born and raised in Cleveland, Ohio. He is the author of the story collections The Shell Collector and Memory Wall, the memoir Four Seasons in Rome, and the novels About Grace and All the Light We Cannot See, which was awarded the 2015 Pulitzer Prize for fiction and the 2015 Andrew Carnegie Medal for Excellence in Fiction.
Antonya Nelson is the author of seven short story collections and four novels. Her work has appeared in The New Yorker, Esquire, and Harper’s, and anthologized in Prize Stories: The O. Henry Awards and Best American Short Stories. She has received a Guggenheim Fellowship, a NEA fellowship and the Rea Award for Short Fiction. She currently teaches creative writing at the University of Houston.
Karen Russell is the author of the short story collections St. Lucy’s Home for Girls Raised by Wolves and Vampires in the Lemon Grove , as well as the novel Swamplandia!. Her work has been featured in The New Yorker’s debut fiction issue and on The New Yorker’s 20 Under 40 list, and was chosen as one of Granta’s Best Young American Novelists.
Elissa Schappell is the author of the collection Blueprints For Building Better Girls, as well as the novel Use Me, which was a finalist for the PEN Hemingway award. She is co-editor with Jenny Offill of the anthologies, The Friend Who Got Away and Money Changes Everything. She is co-founder and editor-at-large of Tin House magazine, and teaches creative writing at NYU and in the the low-residency MFA program at Queens in Charlotte, NC.
Joy Williams is the author of four novels, five short story collections, and the book of essays Ill Nature. She has been nominated for the National Book Award, the Pulitzer Prize, and the National Book Critics Circle Award, and has won the Rea Award for the Short Story and the Harold and Mildred Strauss Living Award. Her most recent title is The Visiting Privilege: New & Collected Stories.
David Leavitt’s novels and story collections include Family Dancing, The Lost Language of Cranes, Arkansas, The Body of Jonah Boyd, and The Indian Clerk, shortlisted for both the PEN/Faulkner Prize and the IMPAC/Dublin Prize. He is also the author of the non-fiction books Florence, A Delicate Case and The Man Who Knew Too Much: Alan Turing and the Invention of the Computer. He lives in Gainesville, Florida, where he co-directs the MFA program in creative writing at the University of Florida and edits the literary journal Subtropics.
Ann Hood is the author of the novels The Red Thread, and, The Knitting Circle, as well as the memoir, Comfort: A Journey Through Grief, which was a New York Times Editor’s Choice and chosen as one of the top ten non-fiction books of 2008 by Entertainment Weekly. She has won a Best American Spiritual Writing Award, the Paul Bowles Prize for Short Fiction and two Pushcart Prizes. Her latest work, The Obituary Writer, was published by Norton earlier this year.
David Shields is the author of fifteen books, including Reality Hunger (named one of the best books of 2010 by more than thirty publications). He has five more books being published over the next two years including I Think You’re Totally Wrong: A Quarrel (forthcoming in January 2015 from Knopf and also as a film directed by James Franco) and Life Is Short—Art Is Shorter: In Praise of Brevity (April 2015, Hawthorne).
Matthew Dickman is the author of All-American Poem and Mayakovsky’s Revolver. He is the recipient of the Honickman First Book Prize, the May Sarton Award from the American Academy of Arts and Sciences, the 2009 Oregon Book Award, a 2015 Guggenheim fellowship and two fellowships from Literary Arts of Oregon. His poems have appeared in Tin House, McSweeney’s, Ploughshares, and the New Yorker, among others. He is the Poetry Editor of Tin House Magazine.
Tom Grimes is the author of five novels, a play, and most recently, Mentor: A Memoir. He edited The Workshop: Seven Decades of Fiction from the Iowa Writers’ Workshop and currently directs the MFA Program in Creative Writing at Texas State University.
J. C. Hallman is a graduate of the Iowa Writers’ Workshop and the Writing Seminars at Johns Hopkins University. He is the author of In Utopia, The Chess Artist, The Devil is a Gentleman, and A collection of short fiction, The Hospital for Bad Poets. His work has appeared in GQ, Boulevard, Prairie Schooner, and a number of other journals and anthologies. He is working on a book about modern expressions of utopian thought.
Dorianne Laux’s most recent collections are The Book of Men and Facts about the Moon, and she has co-authored a handbook on writing, The Poet’s Companion. Laux is also author of Awake, What We Carry, and Smoke. Recent poems appear in The American Poetry Review, Cimarron Review, Cerise Press, Margie, The Seattle Review, Tin House and Orion Magazine. Laux teaches poetry in the MFA Program at North Carolina State University and is founding faculty at Pacific University’s Low Residency MFA Program.
Jon Raymond is the author of the novels Rain Dragon, The Half-Life, a Publishers Weekly Best Book of 2004, and the short story collection Livability, winner of the 2009 Ken Kesey Award for Fiction. He is the writer of several films, including Wendy and Lucy and Meek’s Cutoff, and cowriter of the Emmy-nominated screenplay for the HBO miniseries Mildred Pierce. Raymond’s writing has appeared in Bookforum, Artforum, Tin House, the Village Voice, and other publications.
Peter Rock is the author of The Ambidextrist, Carnival Wolves, This Is the Place, and most recently, My Abandonment. His short fiction has appeared widely, and he has adapted his own fiction and that of others for film. Since 2001, he has been an Associate Professor of Creative Writing at Reed College in Portland, Ore.
Nick Flynn has worked as a ship’s captain, an electrician, and as a case-worker with homeless adults. His most recent book is The Reenactments. His memoir, Another Bullshit Night in Suck City, won the PEN/Martha Albrand Award, He is also the author of two books of poetry, Some Ether and Blind Huber, for which he received fellowships from, among other organizations, The Guggenheim Foundation and The Library of Congress.
D. A. Powell most recent volume, Useless Landscape, or A Guide for Boys, was published by Graywolf in 2012. Chronic (Graywolf, 2009) was a finalist for the National Book Critics Circle Award. A former Briggs-Copeland Lecturer in Poetry at Harvard University, Powell’s honors include a 2011 Guggenheim Fellowship and awards from the California Commonwealth Club, the Poetry Society of America and the Academy of American Poets. He teaches at University of San Francisco.
Mary Szybist’s first collection of poems, Granted, was a finalist for the National Book Critics Circle Award, and her second collection, Incarnadine, is forthcoming from Graywolf Press in 2013. Szybist has received fellowships and awards from the National Endowment for the Arts, the Library of Congress, and the Rona Jaffe Foundation. Her poems have appeared in Ploughshares, Poetry, Tin House, The Kenyon Review, and other journals. She teaches at Lewis & Clark College in Portland and in the Warren Wilson MFA program.